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Glasgow School of Art

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Andy Warhol's art and films

By Smith, Patrick S
Book. English.
Published Ann Arbor, Mich.: UMI Research Press, 1986

Image machine: Andy Warhol and photography

Published Nurnberg: Verlag fur Moderne Kunst, 2012
Published to accompany an exhibition held at Contemporary Arts Centre, Cincinnati from 22 September 2012 - 13 January 2013

13 most beautiful: songs for Andy Warhol's screen tests

By Warhol, Andy, 1928-1987
Published Plexifilm, 2009
Between 1964 and 1966, Andy Warhol shot nearly 500 screen tests, beautiful and revealing portraits of hundreds of different individuals, from the famous...

Art since 1960

By Archer, Michael, 1954-
Book. English.
Published London: Thames & Hudson, 2002
During the past forty years, profound and multifarious changes have taken place in art: stylistic divergence has become the prevailing characteristic....

Analyse and debate: what is "kitsch" in Chinese contemporary art?

By Fong, Hoi Ling Helena
Manuscript. English.
Published Glasgow: Glasgow School of Art, 2017

The factory: from the factory to the world - photography and the Warhol community

By Warhol, Andy, 1928-1987
Published Madrid: La Fabrica, 2012

The first pop age: painting and subjectivity in the art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha

By Foster, Hal
Book. English.
Published Princeton: Princeton University Press, [2012]
Esteemed pop art critic Hal Foster examines five artists who capture the new conditions of painting and subjectivity in the pop age

The Warhol look: glamour style fashion

By Warhol Museum
Published New York: Little, Brown and Company, 1997

Andy Warhol, das graphische Werk 1962-1980: Katalog

By Wunsche, Hermann
Book. German.
Published [West Germany?: s.n., 1981?] [Bonn]: Bonner Universitats-Buchdruckerei 1981

Warhol's Jews: ten portraits reconsidered

By Meyer, Richard
Book. English.
Published New Haven, Conn.; London: Yale University Press, 2008
When it first appeared in 1980, Andy Warhol's 'Ten Portraits of Jews of the Twentieth Century' was adored by Jewish audiences even as it aroused antagonism...