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Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. 'Jess and Jason', she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Now Rachel has a chance to become a part of the lives she's only watched from afar. Now they'll see: she's much more than just the girl on the train
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"Really great suspense novel. Kept me up most of the night. The alcoholic narrator is dead perfect."
STEPHEN KING||"The thriller scene will have to up its game if it's to match Hawkins this year"
Observer||"A complex and increasingly chilling tale courtesy of a number of first-person narratives that will wrong-foot even the most experienced of crime fiction readers"
Irish Times||"achieves a sinister poetry . . . Hawkins keeps the nastiest twist for last"
Financial Times||"Hawkins' masterful deployment of unwittingly unreliable narration to evoke the aftershocks of abuse and trauma is a powerful way of exploring women's marginalization"