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Pop art and design

Pop art and design

Massey, Anne, 1956- editor; Seago, Alex, editor

An in-depth analysis of the relationship between art and design, which led to the creation of 'pop'. Challenging accepted boundaries and definitions, the authors seek out various commonalities and points of connection between these two exciting areas

Book. English.
Published London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2018
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Details

Statement of responsibility: edited by Anne Massey and Alex Seago
ISBN: 1474226183, 9781474226189
Note: Includes bibliographical references and index.
Physical Description: 208 pages : illustrations (black and white, and colour) ; 25 cm
Subject: Art and design.; Pop art.; Nineteen fifties.; Nineteen sixties.; Popular culture History 20th century.; Art and Design.

Contents

  1. Introduction - Anne Massey and Alex Seago
  2. 1. Popular art, Pop Art, and 'the boys who turn out the fine arts'
  3. Catherine Moriarty
  4. 2. Cecil Beaton, Richard Hamilton and the Queer, Transatlantic Origins of Pop Art
  5. Dominic Janes
  6. 3. Althea McNish and the British African diaspora
  7. Christine Checinska
  8. 4. Programming Pop Art and Design
  9. Anne Massey
  10. 5. ARK Magazine: the Royal College of Art and early British Art School Pop
  11. Alex Seago
  12. 6. Prologue to Edward Wright, 'Chad, Kilroy, the cannibal's footprint and the Mona Lisa' first published in ARK 19 (Spring 1957)
  13. Ann Pillar
  14. Facsimile of article
  15. Edward Wright
  16. 7. Pauline Boty: Pop Artist, pop persona, performing across the 'long front of culture'
  17. Sue Tate
  18. 8. A Dedicated Follower of Fashion'
  19. Alistair O'Neill
  20. 9. 'Where is this pop?' In Search of the British Pop Poster
  21. Rick Poynor and Alex Seago
  22. Index

Author note

Anne Massey is Professor of Design and Culture at LCC, University of the Arts London, UK.

Alex Seago is Dean of the School of Communications, Arts and Social Sciences at Richmond, The American International University in London, UK. Previously he lectured in Cultural History at the Royal College of Art, UK.

Reviews

The next stage in the ever-expanding study of Pop Art-in Britain or anywhere else-should begin with this volume. Its editors and contributors offer vital, cogently presented expertise in design, dress, education and deep popular culture, without which no future Pop scholar or interpreter should proceed.
Thomas Crow, Rosalie Solow Professor of Modern Art at New York University, USA